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Translator Kareem James Abu-Zeid [Book Club]

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Join us as we interview translator Kareem James Abu-Zeid on our afikra Book Club series.

Date: Wednesday, March 9
Time: 12PM NYC | 5PM London | 7PM Beirut | 9PM Abu Dhabi
Hosted By: Mikey Muhanna (afikra)

Synopsis of Exhausted on the Cross: “We drag histories behind us,” the Palestinian poet Najwan Darwish writes in Exhausted on the Cross, “here / where there’s neither land / nor sky.” In pared-down lines, brilliantly translated from the Arabic by Kareem James Abu-Zeid, Darwish records what Raúl Zurita describes as “something immemorial, almost unspeakable”—a poetry driven by a “moral imperative” to be a “colossal record of violence and, at the same time, the no less colossal record of compassion.” Darwish’s poems cross histories, cultures, and geographies, taking us from the grime of modern-day Shatila and the opulence of medieval Baghdad to the gardens of Samarkand and the open-air prison of present-day Gaza. We join the Persian poet Hafez in the conquered city of Shiraz and converse with the Prophet Mohammad in Medina. Poem after poem evokes the humor in the face of despair, the hope in the face of nightmare.

Synopsis of Confessions: During the violence and chaos of the Lebanese Civil War, a car pulls up to a roadblock on a narrow side street in Beirut. After a brief and confused exchange, several rounds of bullets are fired into the car, killing everyone inside except for a small boy of four or five. The boy is taken to the hospital, adopted by one of the assassins, and raised in a new family. “My father used to kidnap and kill people …” begins this haunting tale of a child who was raised by the murderer of his real family. The narrator of Confessions doesn’t shy away from the horrible truth of his murderous father—instead he confronts his troubled upbringing and seeks to understand the distortions and complexities of his memories, his war-torn country, and the quiet war that rages inside of him.

This event is being videotaped for subsequent broadcast on the library website and other media. The audience is encouraged to offer comments and raise questions during the formal question and answer period, but please be advised that your voice and image may be recorded and later broadcast as part of this event. By participating in the question and answer period you are consenting to the possible reproduction and transmission of your remarks.


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